For two harps or two harps and percussion (with amplification equipment).
First performance 13 January 1987 by Francis and Fabrice Pierre at Radio France (Paris).
New version of Lust-ich 1.
For two harps or two harps and percussion (with amplification equipment).
First performance 13 January 1987 by Francis and Fabrice Pierre at Radio France (Paris).
New version of Lust-ich 1.
For flute, clarinet, cello and piano.
First performance in 2001 at the International Meetings of Contemporary Music in Buenos Aires.
Commissioned by the Ministry of Culture (France).
New version for four instruments of Tangata IV for cello and piano.
For piano.
First performance 7 July 2001 at the Teatro Municipal (Claudio Arrau Hall), Santiago, Chile, by Julien Guénebaut (piano).
Second prize at the ‘International Edvard Grieg Memorial Competition for Composers (The Oslo Grieg Society)’ in 2002.
For cello or double bass.
First performance of the version for solo double bass at the International Music Institute of Darmstadt in 1994 by Bob Drewry (double bass).
First performance of the version for solo cello in 1996 at Perpignan in the Festival Aujourd’hui Musiques, by Eduardo Valenzuela (cello).
For flute, saxophone, piano and percussion.
First performance by the ensemble Proxima Centauri at the Théâtre de Bordeaux in 1998.
Commissioned by the Ministry of Culture (France).
Live recording by the ensemble Proxima Centauri, Bordeaux.
Saxophone : Marie Bernardette Charrier;
Flute: Sylvain Millepied;
Percussions: Clément Fauconnet;
Piano: Hervé N’Kaoua.
Available at the Cdmc, from the ensemble Proxima Centauri and from the composer.
For saxophone, double bass and percussion.
First performance at the festival Musica, Strasburg in 1999 by Claude Delangle (saxophone), Eric Chalan (double bass) and Jean Geoffroy (percussion).
Commissioned by festival Musica, Strasburg and Claude Delangle.
Saxophone: Marie Bernardette Charrier;
Percussion: Clément Fauconnet;
Double bass: Eric Chalan.
Live recording by Christophe Havel, Bordeaux
Available from the ensemble Proxima Centauri and from the composer.
Live recording at the Mozart Auditorium of the Ecole Nationale de Musique et Danse of Aulnay-sous-Bois by the soloists of the Ensemble Arcema.
Saxophone: Claude Delangle;
Percussion: Jean Geoffroy;
Double bass: Eric Chalan.
Available at the Cdmc and from the composer.
For guitar and percussion.
First performance at the Halles des Chartrons, Bordeaux in 2002 by the soloists of the ensemble Proxima Centauri: Jean-Luc Rocchietti (guitar) and Clément Fauconnand (percussion).
Commissioned by the guitarist Matt Scheidegger and the percussionist Guy Frisch.
Ensemble Proxima Centauri.
Guitar : Jean Luc Rocchietti ;
Percussion : Clément Fauconnet.
Live recording by Christophe Havel.
Available from the ensemble Proxima Centauri and from the composer.
Pour violoncelle et piano.
Création Mondiale lors de la Biennale de Zagreb par Pierre Strauch (violoncelle) et Ursula Kneihs (piano) en 1995.
Commande de l’ensemble Kaleïdocollage.
Selection ISCM / WMD (World Music Days) de Séoul en 1997.
Cello: Pierre Strauch;
Piano: Ursula Kneihs.
Recorded in the studios of La Muse en Circuit, Alfortville.
Available at the Cdmc and from the composer.
For flute, clarinet, violin, cello and piano.
New version for five instruments of Tangata IV for cello and piano.
For voice, clarinet in B flat and bass clarinet, cello, percussion and piano.
First performance in 2008/09 by the ensemble Accroche Note, Strasburg.
Commissioned by the Ministry of Culture (France).